September 18, 2011–January 9, 2012
Willem de Kooning. Pink Angels. c. 1945. Oil and charcoal on canvas
This is the first major museum exhibition devoted to the full scope of the career of Willem de Kooning, widely considered to be among the most important and prolific artists of the 20th century. The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist’s development over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. Bringing together nearly 200 works from public and private collections, the exhibition will occupy the Museum’s entire sixth-floor gallery space, totaling approximately 17,000 square feet…
Representing nearly every type of work de Kooning made, in both technique and subject matter, this retrospective includes paintings, sculptures, drawings, and prints. Among these are the artist’s most famous, landmark paintings—among them Pink Angels (1945), Excavation (1950), and the celebrated third Woman series (1950–53)—plus in-depth presentations of all his most important series, ranging from his figurative paintings of the early 1940s to the breakthrough black-and-white compositions of 1948–49, and from the urban abstractions of the mid 1950s to the artist’s return to figuration in the 1960s, and the large gestural abstractions of the following decade. Also included is de Kooning’s famous yet largely unseen theatrical backdrop, the 17-foot-square Labyrinth (1946).
Organized by John Elderfield, Chief Curator Emeritus of Painting and Sculpture.
This exhibition is made possible through the generous support of Marie-Josée and Henry Kravis.
Major support is provided by the Henry Luce Foundation.
Additional generous funding is provided by Anne and Kenneth Griffin, Sid R. Bass, Steven A. and Alexandra M. Cohen Foundation, Inc., Donald L. Bryant, Jr., The Dubin Family, Glenstone, Robert B. Menschel, Robert E. Meyerhoff and Rheda Becker, Jerry I. Speyer and Katherine G. Farley, Sue and Edgar Wachenheim III, Gary and Karen Winnick, and Peter G. Peterson.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Funding for the accompanying publication is provided by The International Council of The Museum of Modern Art and an anonymous donor.
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